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Defined as a ‘repeated musical phrase’, guitar riffs are usually instantly recognisable, easy to remember, and set the tone for the song.
Then he made number six; and that did it – that’s the one that had the sound I had in my mind that the players had put to me.
To avoid confusion with the numerals 1 and 0, Marshall elected to skip the letters I and O.
Also, for reasons not explained, there are no Q-dated amps.
Of course, it’s easy to think of Marshall amps starting with the famous stack, but Jim Marshall had been building separate heads and speakers (and later, combo amps) since the early ’60s.
Marshall’s original inspiration was the Fender Bassman, which may have been a difficult amp for the average guitarist to obtain in England in the early ’60s, when the nation was still in the throes of post-World War II rationing (as Dave Marsh wrote in Before I Get Old, the sharply dressed “Mods” The Who modeled themselves after, and in fact, Townshend’s equipment-smashing routine itself, were manifestations of the lifting of the rationing).“Players like Pete Townshend, Ritchie Blackmore and ‘Big’ Jim Sullivan (one of the busiest session guitarists in England) pointed out to me, that although they used the Fender, it didn’t produce the sound they wanted.